Personally, I'll stick to my Bösendorfer 290, thanks, except that, as it's such a pity that it exists only in my imagination, I'll more than gladly put up with my 1896 Steinway in the interim and hope that I can eventually manage to afford to have it fully and lovingly restored (it badly needs it, poor thing!). If a Falcone can be found, this, too, could be a good possibility (if my limited experience of them is anything to go by), although I believe that none were ever sold outside USA and they went to the wall several years ago after only a short production period on the premises also occupied (I think) by Mason & Hamlin in their second or third manifestation (what about one of those? - not that I've any idea what their modern instruments are like - I only have one that's about 75 years old and used to have another one older than that). ![]() Bottom line: since being slapped into reality by problems with Steinway.my dream piano would be Mason and Hamlin. Subject to budgetary considerations (as "soliloquy" mentions), it would indeed be remiss to overlook Faziolis - or even the Australian Stuarts (although I think that these can turn out to be pretty expensive). Since moving to Arizona, my own piano tone is different (last service costing 400). All my pianos are perfectly restored, they play and look like new, I offer them for less than 28.000 Uprights are for 10. ![]() Readers familiar with Schimmel’s earlier models will recall their Trilogy concept, in which three sizes of grand piano models shared the same. #Schimmel piano vs steinway series#The most notable change has been to their top-line Konzert series of grand pianos. This all sounds to be sensible advice on the instruments so far considered. Hi offer much better pianos like that from europe: All restored like brand new Bluthner, bechstein, steinweg, bosendorfer, I also have 1882 steinway C 85 keys, and few steinway uprights. German piano maker Schimmel has recently revised the specifications, brands, and sizes of instruments they offer.
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